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In 2002, Cunningham’s Crystal Lake Entertainment produced an original cable movie for Syfy (née Sci-Fi Channel) called Terminal Invasion the telefilm also reunited him with composer Harry Manfredini. His other directed horror offerings include A Stranger is Watching (1982), The New Kids (1985), DeepStar Six (1989), and XCU: Extreme Close Up (2001). Of course, it wasn’t until 1980 that Cunningham changed the landscape of horror - Friday the 13th remains a template for the slasher subgenre. Cunningham got his start around the same time as Wes Craven they worked on movies together including The Last House on the Left. An ordinary abode turns into a chamber of torture where geriatric killers gleefully maim their youthful prey. The plan takes a turn for the worse, and the intruders are handed a sizable slice of just desserts the many clocks in the house suddenly upset the flow of time and the criminals are now trapped inside with the homicidal homeowners.
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The House of Clocks concerns three robbers getting more than they bargained for when they rob an elderly couple in their own home. Both projects were shelved and not seen until later, though.
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Made for tv horror movie s series#
Fulci directed and wrote two made-for-television movies as part of the series La case maledette (Cursed Homes) immediately following The House of Clocks, he began working on The Sweet House of Horrors. His talent could not be limited to just horror, but that is definitely a genre where he excelled. Both tales demonstrate Garris’ morbid sense of humor and eye for outlandish imagery.īetween giallo movies and spaghetti westerns, Lucio Fulci had a diverse career. Quicksilver Highway stars Christopher Lloyd as the narrator of two ghoulish stories based on the respective works of Stephen King and Clive Barker “Chattery Teeth” features a pair of novelty wind-up teeth springing to action during a dust storm-set carjacking, and “The Body Politic” pits a man against his own autonomous hand. He remained true to his love of anthologies by producing this bisected horror-comedy that first aired on Fox in 1997. Without him, we wouldn’t have the ambitious series Masters of Horror, either. Mick Garris is certainly no stranger to television he’s done everything from writing ( Amazing Stories ) to directing ( Psycho IV: The Beginning ). These small-screen endeavors show how talented filmmakers can traverse the limitations of TV while still preserving elements of the genre they helped build. We can always learn something new about these “Masters of Horror” simply by watching their television work. The likes of Wes Craven and John Carpenter found great success on the big screen, but their horror contributions before and after their theatrical breakthroughs can’t be overlooked.